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Welcome to the new Deli Charts, organized by genre and scene.

To rank the artists with the star system go to the Top 50.


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Do you ever miss your days of teen angst, where every slight was a deep wound that only music could heal? No? Well, listen to Way Out and you will just get it. There is something nostalgic and analog in Way Out’s music, the way Knox belts out the vocals, the deep reverb of the bass pulsing slowly in the background as the guitar speeds jaggedly through the track. It’s reminiscent of early 80’s post punk goth scene – a little bit of The Cure’s brooding atmosphere with a pinch of The Smiths’ despondence, perfect for your gloomy days. Or happy days. Or completely average days. Sometimes you just need a little dark and gloomy in your playlist amidst all the bubbling pop of today and Way Out has that for you. Catch them at Great Scott on April 14 and take a listen below!

April 07, 2016
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Listening to Aüva is like losing yourself in a photograph whose colors have faded under the sun. The brilliance is still there but it’s like walking through a hazy dream. From the sugary sweetness of the three piece harmonies and gum drop plops of the guitar in “Into Place” to the prithy drumming and twangy melancholy of the rhythm section in “Nothing Else,” Aüvas Light Years is an aural technicolor reverie dripped in nostalgic beauty. Losing ourselves in this sunburnt masterpiece was a breeze, and easing out of it left us longing it a little more. Prepare for cool summer nights with Light Years and catch Aüra perform at O’Brien’s Pub on Aprill 11. - Adriana S Ballester

April 06, 2016
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There is something beautifully sinister and dangerous lurking underneath the surface of Casey Desmond’s latest release, Three Licks, under the moniker CMB. The Boston based electronica artist brightens up the reverb drenched scene of her city with oscillating synths and throbbing bass, oozing globs of neon with every beat. However, there is the scintillating threat of something more biting at our heels because the EP is more than just another glossy electronic composition. Bouncing between the glitchy dark ambiance of tracks like "Fade Into Nothing" and the bubbling magnetism of "I Don't Know," Three Licks is an experimental project replete with raw emotions texturized by Desmond’s  electronic production and vocal talents. Delve deeper into Desmond’s rabbit hole and catch her performing at Great Scott on April 25. - Adriana S Ballester

April 05, 2016
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Back in February Boston’s psych band Magic Shoppe released their second E.P. Interstellar Car Crash and it’s a trippy sonic masterpiece. The tracks are guitar centric pieces with distorted vocals floating in the background and cavernous reverb unabashedly pounding in your head. With beautifully languid melodies pulsing rhythmically throughout the E.P., Magic Shoppe succeeds at creating dynamic tunes that manage to maintain a sense of calm despite all that’s happening around them. The last track, “Interstella Car Crash” (streaming below), is the perfect example of that. Starting off with with an uniform tempo, vocals echoing in the distance the guitars sputter evenly before exploding into a spirited riff in the final minute. It’s like watching a star collapse into itself in slow motion and then witnessing it burst into a supernova of brilliant colors and sounds– a wondrous natural phenomena of galactic proportions that leaves us with our mouths agape, staring at the sky in awe.

 

April 01, 2016
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Vundabar serves as a breath of fresh air out of the tidal waves of folk and hardcore rock that swamp Boston’s music scene. With indie rock at the core of its DNA, Vundabar infuses pop melodies and jangly guitar riffs to create their infectiously energetic sound. Often times switching up the tempo and rhythm mid-way through a song, these sudden changes of direction give their songs a welcomed air of unpredictability and a sharp edge to dance along on. What Vundabar manages to do wonderfully is probably how they take quiet moments in their songs and blow it up with bursts of jagged electric guitars and ragged vocals seamlessly, shocking you with currents of effervescence. The only thing that rivals their sound is their live performances, so catch them at Great Scott on April 30 and take listen below. - Adriana S Ballester

 

March 31, 2016
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Blending the classic post-hardcore guttural screams with an epic, often tense, but always intelligible wall of distorted guitars reminiscent of shoegazer, Brooklyn emerging band DRIFTOFF (born from a rib of Boston's Junius) comes across as brutal and ethereal at once. The band has just returned from a five week long tour that took them from New Haven's Bar on February 10 to the Tiefgrund in Berlin on March 17, with in-between dates in NYC (Bowery Ballroom), Island, the Netherlands and Italy. Now, that sounds like a pretty awesome vacation! No local shows in sight for them at the moment.

March 30, 2016
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