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Welcome to the new Deli Charts, organized by genre and scene.

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At first you think that this band sounds like most indie rock bands: melodious guitar riffs, a fat bass chord, steady drums, and a captivating voice. But Julius Earthling quickly dispel this notion with their EP NFL Bliss, which erupts into a raucous rhythm that starts heading one way before completely changing up the tempo and heading down another path, then switching up again. It’s quirky, spastic, catchy and unpredictable which makes for one heck of a fun album. They play tonight at O’Brien’s pub so head on down for a night of great music. If you miss them make sure to keep tabs on their Facebook page for upcoming concerts.  

April 20, 2016
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To listen to Boston based trio Tuxis Giant is to delve into the deep recesses of your mind. The rollicking guitar riffs and the gentle plucking of the chords play out like quiet, contemplative ruminations that creep up to you in the dark hours of the night. O'Conner’s voice glides over the melancholy melodies like pleading whispers before the electric guitar swells and his voice bellows over them. Tuxis Giant is the type of band you can listen to during long, midnight drives by yourself–the windows down with the wind racing past you. The band released a full length album in 2015 but just released a 4 song EP split with Traded (streaming below). Expect a full band show in a month so keep an eye on their Facebook page for details and listen to their album below!  

April 18, 2016
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In a world where the lines between genres keep blurring it’s no surprise when bands or artists create works the defy fitting into any one of them. What is refreshing, though, is when they do it well. Enter Nothing, Nowhere. With self deprecatingly analytical lyrics glazed over with a layer of anger, dreamy reverb guitars, rapping, and samplings from movies and readings Nothing, Nowhere. builds tracks that take cues from emo, indie dream pop, and hip hop. Thus forging an LP (streaming below) that explores love, frustration, religion and loss of faith with an unique style. Keep an eye out on their facebook page for any future concerts.

April 14, 2016
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Rock and Folk mingle on stage tonight at O’brien’s Pub with Boston bands All Talk and Babydriver. All Talk, whose new album upstairs/downstairs is set to come out in May, sits at the bluesier folk end of the spectrum with a few songs here and there clearly influenced by heavier guitar rock. Their gem “Locomotive” (streaming below) off their album Juno is one of those songs. It’s a slow burner, searing longing and heartbreak carefully into our minds with every deliberate strum of the guitar, with every wistful stray chord. The song builds up until the end when the guitar erupts into a reverbed solo before fading off. Babydriver on the other hand is more upbeat, with songs shifting from heavier rock to frazzled pop pieces. “I Don’t Want To Be Your Dad” (streaming below) kicks off with franticly melodious guitars and rhythmic shakers in the background. Palmer’s vocals float effortlessly over the track, lending an air of nonchalance to it. It’s a song that would have fit in perfectly in any indie film soundtrack. Catch them tonight at O’Brien’s Pub alongside Painted Zeros and Izzy True. -Adriana S Ballester

 

April 12, 2016
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Do you ever miss your days of teen angst, where every slight was a deep wound that only music could heal? No? Well, listen to Way Out and you will just get it. There is something nostalgic and analog in Way Out’s music, the way Knox belts out the vocals, the deep reverb of the bass pulsing slowly in the background as the guitar speeds jaggedly through the track. It’s reminiscent of early 80’s post punk goth scene – a little bit of The Cure’s brooding atmosphere with a pinch of The Smiths’ despondence, perfect for your gloomy days. Or happy days. Or completely average days. Sometimes you just need a little dark and gloomy in your playlist amidst all the bubbling pop of today and Way Out has that for you. Catch them at Great Scott on April 14 and take a listen below!

April 07, 2016
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Listening to Aüva is like losing yourself in a photograph whose colors have faded under the sun. The brilliance is still there but it’s like walking through a hazy dream. From the sugary sweetness of the three piece harmonies and gum drop plops of the guitar in “Into Place” to the prithy drumming and twangy melancholy of the rhythm section in “Nothing Else,” Aüvas Light Years is an aural technicolor reverie dripped in nostalgic beauty. Losing ourselves in this sunburnt masterpiece was a breeze, and easing out of it left us longing it a little more. Prepare for cool summer nights with Light Years and catch Aüra perform at O’Brien’s Pub on Aprill 11. - Adriana S Ballester

April 06, 2016
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