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Nothing, Nowhere. weaves together various genres in 'Who Are You?'

In a world where the lines between genres keep blurring it’s no surprise when bands or artists create works the defy fitting into any one of them. What is refreshing, though, is when they do it well. Enter Nothing, Nowhere. With self deprecatingly analytical lyrics glazed over with a layer of anger, dreamy reverb guitars, rapping, and samplings from movies and readings Nothing, Nowhere. builds tracks that take cues from emo, indie dream pop, and hip hop. Thus forging an LP (streaming below) that explores love, frustration, religion and loss of faith with an unique style. Keep an eye out on their facebook page for any future concerts.


Folk and Rock mingle tonight at O'Brien's with All Talk and Babydriver

Rock and Folk mingle on stage tonight at O’brien’s Pub with Boston bands All Talk and Babydriver. All Talk, whose new album upstairs/downstairs is set to come out in May, sits at the bluesier folk end of the spectrum with a few songs here and there clearly influenced by heavier guitar rock. Their gem “Locomotive” (streaming below) off their album Juno is one of those songs. It’s a slow burner, searing longing and heartbreak carefully into our minds with every deliberate strum of the guitar, with every wistful stray chord. The song builds up until the end when the guitar erupts into a reverbed solo before fading off. Babydriver on the other hand is more upbeat, with songs shifting from heavier rock to frazzled pop pieces. “I Don’t Want To Be Your Dad” (streaming below) kicks off with franticly melodious guitars and rhythmic shakers in the background. Palmer’s vocals float effortlessly over the track, lending an air of nonchalance to it. It’s a song that would have fit in perfectly in any indie film soundtrack. Catch them tonight at O’Brien’s Pub alongside Painted Zeros and Izzy True. -Adriana S Ballester

 


Way Out takes on Great Scott on 4.14

Do you ever miss your days of teen angst, where every slight was a deep wound that only music could heal? No? Well, listen to Way Out and you will just get it. There is something nostalgic and analog in Way Out’s music, the way Knox belts out the vocals, the deep reverb of the bass pulsing slowly in the background as the guitar speeds jaggedly through the track. It’s reminiscent of early 80’s post punk goth scene – a little bit of The Cure’s brooding atmosphere with a pinch of The Smiths’ despondence, perfect for your gloomy days. Or happy days. Or completely average days. Sometimes you just need a little dark and gloomy in your playlist amidst all the bubbling pop of today and Way Out has that for you. Catch them at Great Scott on April 14 and take a listen below!


Aüva brings their dreaminess to O'Brien's Pub on 4.11

Listening to Aüva is like losing yourself in a photograph whose colors have faded under the sun. The brilliance is still there but it’s like walking through a hazy dream. From the sugary sweetness of the three piece harmonies and gum drop plops of the guitar in “Into Place” to the prithy drumming and twangy melancholy of the rhythm section in “Nothing Else,” Aüvas Light Years is an aural technicolor reverie dripped in nostalgic beauty. Losing ourselves in this sunburnt masterpiece was a breeze, and easing out of it left us longing it a little more. Prepare for cool summer nights with Light Years and catch Aüra perform at O’Brien’s Pub on Aprill 11. - Adriana S Ballester


CMB set to speckle Great Scott with neon on 4.25

There is something beautifully sinister and dangerous lurking underneath the surface of Casey Desmond’s latest release, Three Licks, under the moniker CMB. The Boston based electronica artist brightens up the reverb drenched scene of her city with oscillating synths and throbbing bass, oozing globs of neon with every beat. However, there is the scintillating threat of something more biting at our heels because the EP is more than just another glossy electronic composition. Bouncing between the glitchy dark ambiance of tracks like "Fade Into Nothing" and the bubbling magnetism of "I Don't Know," Three Licks is an experimental project replete with raw emotions texturized by Desmond’s  electronic production and vocal talents. Delve deeper into Desmond’s rabbit hole and catch her performing at Great Scott on April 25. - Adriana S Ballester

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