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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


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Power poppers Tancred end tour with Speedy Ortiz + play the Great Scott on 6/22

The sound of Tancred, solo project of 'Now, Now' guitarist Jess Abbott, hits a nice grey area between punk and power pop. Abbot's striking vocals and guitar work definitely get the blood pumping, but the band behind her doesn't miss a beat, integrating the songwriting through skillful and at times subtle dynamic shifts that underline the songs' tension and release sequence. Rounding out the band's aeshtetic, Abbot's lyrics are often incisive and contemplative, and give the music nice emotional and intellectual qualities.  Their latest project 'Out of the Garden' shows a developed, refined sound, and we're surprised they slipped through the cracks of this blog's coverage.  The band is about to wrap up a US tour with Speedy Ortiz, and will perform next at Great Scott on 6/22. — Henry Solotaroff-Webber

Amy and The Engine to fill City Hall Plaza with diverse, poppy sound on 06.09

Boston indie-pop band Amy and the Engine are going places, though their polish and quality could lead you into thinking they were already there. The band employs all six of its members to full advantage, and the result is a pop sound that is deceptively layered and easiliy listenable. The lead and rhythm guitars interplay freely, producing rich melodies and countermelodies that serve as the driving force behind each song.

Alongside this understated complexity is the diverse set of influences the band posseses, as they flirt with genres like country, hard rock, funk and even a little R&B at times. Their ability to do this owes largely to lead singer Amy Allen who can seemingly do it all with her impressively enormous range. You may not be able to catch this band for much longer before they fuly hit the mainstream, and you can do just that outdoors on June 9 at City Hall Plaza. —Henry Solotaroff-Webber

The Knock Ups are bringing their riot grrrl energy to Club Bohemia tonight (6.03)

 In 2015 Gretchen Shae joined U2 on stage to play guitar on the song “All I Want Is You”, but that wasn't her first time taking the stage. Shae is the vocalist and guitarist of the self-proclaimed Boston-based glam punk band The Knock Ups. Joined by Cat Verlicco on bass and Daniel McCarthy on Drums, the band brings blends energetic instrumentation with politically charged lyrics reminiscent of the riot grrrl movement of the 90’s, and borrow from the movements key players such as Bikini Kill and Sleater Kinney. “Shut Up (and put on your dress)” off their self-titled EP is characterized by it's brevity, and the band’s fast paced riffs and pounding drumming that never drowns out Shae’s vocals. The track “1969” is a slower track that features compelling melodies and a catchy chorus that begs the listener to sing a long, however it doesn’t lose any of the band's signature punk energy. The band will be playing tonight (6.03) at Club Bohemia in Cambridge. Check out their single “Dionysius” below! - John Honan

Field Day bring their fun indie pop sound to Great Scott on 6/1.

Boston band Field Day excels at creating an indie pop/rock sound that's a perfect soundtrack for a night on the town. Their simple but powerful guitar melodies are built for foot-tapping, and the two vocalists exhibit great chemistry. Peculiar to this band is the alternating of male/female lead vocalists, something that gives each song a different feel, while still keeping the group's recognizable sound that makes them so enjoyable. This is a band with a cohesive, no frills pop-rock sound with the potential to make you jump, check them out at the Great Scott on 6/1. —Henry Solotaroff-Webber 


Catch Boston synth-poppers Condor at The Plough and Stars on 6/2

With an online presence of only three songs from 2014 to its name, Condor has so far favored quality over quantity. Originating from defunct Mystery Roar, the talented Boston-based synth-pop duo is sitting on nine track album, as they hinted back in 2014, when the trio of singles were originally released. Each song features similar components, with enough variations from track to track to provide the perfect mix of consistency and contrast.  On each song clean acoustic and electronic melodies are orbited by distorted synth textures, while a standard snare pattern keeps the song on track. Hovering above the instrumenation are the singer's airy vocals, providing a soothing respite for the groovy tempest occuring below. Condor, quite frankly, need to release new music online, as the entertainment brought by the quality of the songs can only be matched by the frustration brought by their lacking quantity.  You can check out Condor at The Plough and Stars on 6/2. — Henry Solotaroff-Webber, Photo Credit: Andrea Morales


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