Joe Saliba's (of Mad Oak Studios in Allston) first sentence to me was "So I hear you like Deerhunter?", then he gave me the Fluorescent Grey EP and we've been turning each other onto bands ever since. His most recent find is female-fronted, Slothrust, rock music that well, rocks.
Do you remember the first time you heard Karen O belt out, "As a fuck son you sucked" and you thought, "Damn, this chick has balls!"? Slothrust's Leah Wellbaum has the same effect. You'll see after you listen to "Misnomer".
"High-energy bluegrass, Tex-Mex, country blues, folk, Celtic, rags, Old Time, and more, including some acoustic versions of more modern stuff (e.g, Paul Simon’s “You Can Call Me Al,” which always gets ‘em dancing). We also do a good number of originals. Think Session Americana without the table...basically the same instrumentation and vibe" -- Stroker
"Dogs on Television is headed for the bright lights. It's a machine that runs on rock n' roll. It's a barbaric yawp that dives into your ear, tickles your brain, stirs your heart, and hits your spine like a lightning bolt. Based in the Boston area, DoTV is committed to bringing an explosive energy to the stage and having as much fun as possible on the way. DoTV howls loud and promises a grand revolution of unbridled rock intensity!" -- from DoTV FB page
Doors at 8pm and the cover is 7 bux. 21+ Precinct has great food and beer as well.
Deli: Parlour Bells has a retro-style, unique sound, kind of like David Bowie meets Roy Orbison or vice versa. How did you develop this sound? When did you start singing and song-writing? Who are your influences?
GD: The sound of Parlour Bells is really about my longtime songwriting partnership with Mr. Nate Leavitt, who is probably best known for his work with The Blizzard of 78. Nate and I have been writing songs since high school and Parlour Bells is simply the latest incarnation of that long-running creative partnership. It's our sound. As for influences, we probably have more than we can cite here. But I will say that while our influences (Nate and mine) are often very similar, they are just as often quite different. That's what makes our collaboration kind of interesting, and what I think makes our songs unique.
Deli: You are one of my favorite "Facebook Personalities". You seem to have several creative projects including an interview series, a god-fearing alias and an entire Facebook page dedicated to your hair. Are these publicity stunts? How do these side projects fuel your fan-base? Can you tell me more about the webisodes you have coming up?
GD: Well, first of all, thank you. To be anyone's favorite anything is an honor. I do have a lot of creative video projects in store for 2011. The ones I most excited about are Louder Now Boston, a new web show about local music that I created with Anngelle Wood. She's the real deal when it comes to being a proponent of local rock, and it's been great collaborating with her. The second project is a sitcom I am working on with Richard Bouchard, Mike Bishop, Sophia Cacciola and Michael J. Epstein. We just named it "Special Friends" and we begin production soon. As for Goddamn Glenn and my globe bar, I'll say this. A lot of nonsense comes out of me, which people seem to find humorous. If they think it's funny, then I'm going to roll with it. I really didn't intend for these to be publicity stunts, but if they work like that...great. But if you're only going to "like" 3 of my Facebook pages, I'd prefer that you focus on Parlour Bells, Killer Suit (my video production company) and Louder Now Boston.
Deli: You are also a videographer. Do you have any advice for musicians and bands who are looking to make a music video?
GD: Capture as much content as possible and think of ways you can differentiate it from the rest of the content out there. YouTube is awash with live music videos, which is partly why Killer Suit shies away from doing these anymore. Find a way to make them stand out. Humor is a good angle. If you're actually funny, that is.
Deli: Why is the name of your band Parlour Bells?
GD: I liked the sound of the words together. It actually doesn't mean anything. I always liked bandnames that people seemed to pull straight out of the ether. When you take on a name that brings no previous connotations, that name can become synonymous with the band's sound and songs. All that said, "Parlour Bells" sounds kind of loungey. We've been told we have that vibe. Finally, originality, especially on the web is hard to come by these days. We were pretty sure there wasn't a parlourbells.com when we first attempted to purchase the domain.
Deli: Which Boston band would you love to share a stage with?
GD: There is so much great local talent in Boston, we would feel honored to play with a number of bands. I guess that two that come to mind immediately are Gene Dante & the Future Starlets and Do Not Forsake Me Oh My Darling. Gene is the consumate rock star and an incredible showman, and I think the Bells and Starlets on the same bill would be sexy. DNFMOMD is just one of my favorite bands out there and I love Sophia's sultry Prisoner-themed stage persona. It's amazing how she and Michael J. Epstein can get that much sound out of vocals, drums and bass. Very raw and very noir.
Last Tuesday night marked the beginning of The Wild Sea’s month long residency at long time Cambridge institution, Toad. Ruth Peterson and Todd Russell have been performing and writing songs together since their band was called Amusia over ten years ago, and their dedication to the craft of songwriting shows. Each tune is arranged purposefully, Peterson’s lyrics are thoughtful and performances are always stellar.
Expect some covers peppered in during the two sets The Wild Sea plays during their residency at Toad this month. Last week we heard Fleetwood Mac and Led Zeppelin stripped down to the bones, along with a jazz-infused rendition of Michael Jackson’s "Billie Jean". With instrumental support from Adam Moss (fiddle), Chris Anzalone (percussion) and Sean Staples (mandolin) you never know what flavors might creep in. Rumor has it there will be more surprise guests as the month goes on, so make sure you catch The Wild Sea at least once this month, Tuesday nights at Toad in Porter Square. Supporting The Wild Sea this month at Toad: The Blue Ribbons
We started publishing the results of the open submissions for our Best of NYC Emerging Artists 2010 Poll. As we received about 500 submissions we decided to organize the rating process by genre. As things are getting a little scattered around the site we though it might be useful to gather all the links to the various result blurbs in one place on top of our NYC site - here we go:
We decided to enter the top ten bands from the Open Submissions poll in the Best of New England Emerging Artists 2010 Poll which will be posted sometime next week. In case you missed the last post, here are the bands in order of how they were ranked by other Deli editors (Chicago and LA). But in my opinion they are all stellar and I'm happy to add all of them to the poll next week. The Best of New England Emerging Artists Poll will be voted on by a cocktail of local bloggers, scenemakers, Deli readers and Deli staff. Stay tuned.
Bands Nominated for Next Phase of Best New England Emerging Artists 2010 Poll
Good Kids Sprouting Horns from Portland, ME gained the most votes for the open submissions poll amongst New England based artists that submitted to be considered for our Best of New England Poll 2010. They will therefore access the next stage of our poll. The votes were cast by two other Deli editors, the editor of the Los Angeles Deli and the editor of the Chicago Deli out of 25 bands.
Good Kids Sprouting Horns (taken from the lyrics of an Andrew Bird song) are a dreamy, creative indie-folk band from Portland, ME. Good Kids Sprouting Horns is a little keyboard crazy (but in a good way). They've recently announced that they will be putting out a new album as soon as (hopefully) Spring.
Here's how the rest of the bands fared in the Open Submissions voting process:
This year, our local Year End Emerging Artists 2010 Polls are proving to be more challenging than ever, with 10 US scenes involved and 1,500+ submissions between our own system and the Sonic Bids applications. We spent a significant portion of the recent Holidays listening to your music (thanks for that by the way!), and we haven't even had the chance to check out the bands selected by our jury of local promoters, bloggers and scene makers yet...
ANYWAYYYY... we have the results of the Open Submissions at hand and we are slowly going to publish them in the next few days. Sonic Bids selections coming soon. Whether you were selected or not, always remember that in 1961 The Beatles were rejected by Decca with the following gems: "guitar groups are on the way out" and "The Beatles have no future in show business." Just a friendly reminder that there is no final authority on music, despite what pitchfork.com would have you believe.
Year End Poll Next Phase: The Fans' Poll
The next phase of the Poll - a vote open to the fans - is likely to start towards the end of this week and the end of the next. We'll spread the cities out a little bit to minimize contemporary traffic spikes that repeatedly brought our site down last year. So stay tuned. We should have the final results for our two separate final charts (fans poll and composite chart including the jurors' vote) by the end of January.
Also, of course all this is possible also because of our sponsors - many of them are providing free studio time and prizes for the winners. Here they are God Bless 'em!
The Deli -- New England is happy to announce a new installment by local scenester, booker and tour manager, Danielle Freudenthal called Invictus Pics. Danielle will choose her favorite songs, shows or bands at the moment that she finds striking and will share with the Deli on a weekly basis. First up,The Bitch Brothers out of Worcester. -- MC
The Bitch Brothers are my homies from Worcester, the three-piece frenzied, frantic live show is worth the trek from Boston to Worcester to catch them in their element at the gritty Hotel Vernon or some DIY space like the Firehouse. As they describe themselves: "Essentially, the b.bro's are just three dudes working the night shift to make a sound that is new yet still heavily influenced by the artists we love. Following the ethos laid before us by bands like Fugazi, Minutemen and Can. We jam econo, doing just about everything ourselves (writing, recording, booking & merchandise)."