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Best of Nashville Roots Acts: Tyler Childers and New Suede

Our Best of Nashville 2017 poll began last week with the Roots category and, after you-the-people cast your vote, we have the results to share with you!

Overall Poll winner (Jurors vote + Readers' vote): Tyler Childers

Readers' Poll Winner (Readers' Vote only): New Suede

Tyler Childers offers classic country folk songs that fit the modern context. His lyrics are imaginative and descriptive of elements of life in the country. With blue-grass oriented instrumentation including fiddle, banjo, mandolin, his style brings early Avett Brothers to mind. His songs blend the modern indie-folk impulse with the root elements of the bluegrass and country. Where his vocal tendencies and lyrics use the popular style of the alternative country/folk genre in its current form, the instrumentation and song structures harken back to truly rural country roots of his origins in a rural Kentucky coal mining town. 

New Suede is an act that's mastered the art of origin digging. "Taxi," the single they've released ahead of their new album, is a number heavily influenced by classic R&B and Jazz elements but molded into the form of an indie rock experiment with similarities to psychedelic/jazz/indie outfits like Homeshake or Mild High Club. The makeup of their work so far consists of groovy, easy rocking that dabbles in enough dissonance to keep us on our toes. Be on the lookout for their album, Ocean Drops, coming out on March 11th. 

The full list of nominees can be found under the streaming tracks. 

 

Here is the list of all the finalists in the Nashville Roots category and their readers' poll results: 

 

 Aubrey Peeples
  1%   3 votes
 Bird Cloud
  0%   1 vote
 Blackfoot Gypsies
  0%   0 votes
 Jillette Johnson
  0%   0 votes
 Molly Parden
  0%   1 vote
 Moon Taxi
  2%   7 votes
 New Suede
  95%   266 votes
 Panfish
  0%   1 vote
 Poly
  0%   0 votes
 Strange Rivals
  0%   0 votes
 Sisterhood
  0%   0 votes
 Tyler Childers
  0%   0 votes
 




Glass Tactics release debut EP "Tactics" + play Pianos on 03.17

Not many people will promptly associate Craigslist with rock'n'roll, but it's not rare to hear of musicians finding each other in the free online classifieds' Musicians section. That's what brought together NYC Indie quartet, Glass Tactics. In February they released their three track debut EP “Tactics,” a record that, with its catchy hooks and laid back choruses, captures the essence of a classic power pop track. On their Facebook page, they describe their shows as “joyous, finger-bleeding” which seems like half of one good reason to see them on March 17th at Pianos. - Jocelyn Huggler

This artist submitted music for coverage here.

We added this song to The Deli's playlist of Best guitar rock songs by emerging NYC artists - check it out!





The Deli's Best Emerging Philly Alt Rock Artist: Curtis Cooper!

We are nearing the end of this year's Deli Philly Best Emerging Artists Poll. After compiling the jurors', readers'/fans' and writers' votes for the Alt Rock category, congrats go out to Curtis Cooper! The Philly songwriter caught our attention towards the end of 2015, and then truly emerged on the local music scene last year with the release of his debut Laughing In Line. The album begins in a more radio-friendly manner, but as you delve deeper into the cuts, it becomes apparent that gifted artist has a much more diverse musical palette that we predict will only expand as time goes on. BTW: We absolutely flipped over the video of his powerful performance of the previously unreleased single "2016," which you can view below.  

 

And coming in a very close race for second and third are the good time boys of Mumblr and the pot-lovin', rockin' ladies of Marge. We'll also be back very soon with our final Readers'/Fans' Poll for the categories of Hip Hop/Funk/Electronica, so stay tuned! 





Best of NYC Indie Rock Category Final Results: Big Thief, Cut Worms, Baby Acid

The Indie Rock Year End Poll Results are finally in!

Overall Poll Winner (Combined Juror + Reader Poll Votes): Big Thief

This indie rock quartet graced the cover of our winter 2017 issue of The Deli, and offers catchy and melancholic indie rock that sticks to the soul. They hone a fuzzy, distorted rock sound with folky overtones and production that cleans it up enough to be endlessly listenable. 

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Overall Poll 2nd Place: Cut Worms

Cut Worms offers 60s pop revival reminiscent of anything from The Beach Boys to Gerry and the Pacemakers. With catchy, simple, and relatable tunes that satisfyingly dabble in the retro, Cut Worms knows how to catch an ear. 

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Reader Poll Second Place: Baby Acid 

Baby Acid is self-described as "grunge-gaze" and it's easy to understand why on a first listen. They blend the fuzzier, harder, heavier elements of grunge with the the reverb-soaked, sound walls and atmospheres of shoegaze to create an entire sonic space. 

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Here's the list of all the finalists with their Readers' Poll scores. As always, we'd like to thank all of our artists, jurors, and readers for participating in this year's polls.  Stay tuned and vote for all of our remaining genre polls! 

 Active Bird Community
  1%   14 votes
 ArthurMoon
  1%   21 votes
 Baby Acid
  46%   637 votes
 Big Thief
  1%   16 votes
 Citris
  0%   5 votes
 Cloud Becomes Your Head
  0%   6 votes
 Cut Worms
  0%   1 vote
 Deal Casino
  0%   1 vote
 Haybaby
  0%   11 votes
 New Tarot
  0%   3 votes
 Not Blood Paint
  0%   5 votes
 Paris Monster
  6%   87 votes
 Patio
  1%   19 votes
 Prima
  2%   31 votes
 Public Access TV
  0%   6 votes
 Rachel Angel
  35%   481 votes
 Wall
  0%   3 votes
 Zula
  0%   13 votes
 


 





The Deli Philly’s March Record of the Month: Jump Ship - No Thank You

South Philly singer-songwriter Kate Della Monica and her bandmates – better known as No Thank You – mark another milestone with the release of their first full-length album Jump Ship (Lame-O Records).
 
Opening with the hazy romance of “Eyeballs,” a dreamy hymn awash in chimes and bittersweet melody. A lo-fi annunciation, the album’s first track has the perfect mix of lyrical brevity and delicate soundscapes, while “Cold” proves to be a doubly affecting ballad, fusing moody melodrama, driving bass, and grunge-y chords. Confessions like “I'm sorry that I've been so cold again/but my heavy heart it needs to be frozen” are quickly followed by blips of disenchantment and crystallized hope: “Maybe there's a chance for me/to float in this goddamn mess that I've been drowning in.” A probable soundtrack for self-care or the latter days of a problematic but passionate relationship, “Cold” will thaw the heart of its listener, despite its namesake.
 
“Old News” explores the haunting aftermath of human closeness, the pain of letting go, and the complex irony of missing those who harm us with harmony and riffs nostalgic of 90’s icons like Shirley Manson and Veruca Salt. “Serenity Song” is energetic and earnest as fuck, offering fans a mantra for coping: “God grant me the goddamn opportunity to move on,” which serves as the flawless preface to the hushed ambience of “Bad @ Love Songs”. Here, No Thank You says everything most lovers fail to without a shred of pretense or hesitation, making the track the opposite of what its title suggests.
 
The endearingly twee of “Juicy J” is a dance inducing pick-me-up, bound to make even the coldest stoic swoon, up until it’s end, examining the fine line between reality and “playing pretend” before the solemn start of “Teeter” takes over. In the tradition of The Cranberries seminal LP Everybody Else Is Doing It So Why Can’t We?,No Thank You’s ability to be brutally honest manifests itself equally via diction, lyricism, and instrumentation. Closing with the affirmingly self-aware “The Unbearable Purposelessness of Being,” an anthem of survival and growing older where proclamations like “you never know how strong you are until you start to break” and “I’m twenty something and I’m alive” are just enough to get you and your friends through the darkest of times.
 
Jump Ship won’t just make you feel brave; it’ll heal your heart. - Dianca London

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