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Songwriters





A Deli Premiere: "Backbone Elegy" by Vaughan Supple

Igniting our month and weekend simultaneously, furiously shredding and adorably bopping, all the same, is Vaughan Supple’s brand new EP Backbone Elegy. The new record is more of Vaughan’s grungy brand of music, except this time the Boston artist varnishes his sound in a sweet mixture of gooey doo-wop that creates a product irresistible and all his own. Right out of the gate, the furious punk rhythm and sugary harmonizing of “For Old Time's Sake” gets a hold of you, ripping distorted guitars and floating Vaughan’s infectious melody in its raunchy medley of fun. Where “Perfume and Mirrors” is a gorgeous piano-led ballad, drowsy and passionate, “Bubblegum” is true to its namesake: short and sweetly-flavored pop-jazz. The title track of the new EP, is where Vaughan Supple’s theme is revealed, why with its thick ambiance of velvety harmonies and distinct acoustic guitar flourishes the artist takes vocal flight towards the past, reflecting as he longs for a simpler time in music and all elsewhere. One could say the final song in the album, a reprise of the first, is a moody send-off, but we argue it could just as well be the beginning as time is not always a river flowing in one direction, sometimes it is a beautiful storm to behold. Stream Backbone Elegy premiering exclusively below and here is to a great month. - Rene Cobar  





Morgan Powers

Morgan Powers has released the title track, "Bugs In A Jar", from her forthcoming debut album which is due out May 22nd. The album also includes the single "Miriam" she released back in March of 2019.

Powers performs dreamy, or maybe sleepy, acoustic pop with beautifully cleaver lyrics and melodies.

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A Deli Premiere: "Last Goodbye" by Andrea Capozzoli

Hard to imagine a smoother, groovier, and more exquisite start to the week than the one Andrea Capozzoli serves up in her latest single “Last Goodbye.” Oh yes, the song is all the neo-soul goodness that has characterized Capozzoli’s trajectory, but there is added emotion and undertones of liberation in Capozzoli’s velvety, assertive vocals. Accurately, and oh so delicately landing on each note change, the artist dances past the sweet guitar riffs and the accompanying swing to bask in the growing excitement of the song’s soulful choruses. “Last Goodbye” is an ode to a friend’s triumphant escape from a toxic relationship, and yet, it is for all lovers who have done just that, and for those brewing the courage to join them in freedom, in strength. Andrea Capozzoli’s method is a prime example of the ever-lasting power of R&B/soul in the age of computer-generated hits: nothing beats watching musicians shaping the molten goodness of their skill into precious pieces for all to enjoy. Dmitry Ishenko (bass),  Dave Ross (guitar,) and Rob Mitzner (drums) accompany Capozzoli in “Last Goodbye” premiering below. - Rene Cobar





From the Submissions: anjali.rose "Reach For It"

 Brooklyn multi-instrumentalist anjali.rose hones in on the unnerving quietude of life under quarantine in new single “Reach For It,” featuring Noah Drielblatt, a atmospheric offering that melds swirling synths with guitar-driven songwriting. Methodical acoustic arpeggios, underscored by murky electronic instrumentation, provide background for Rose and Drielblatt’s hushed vox — a centering performance amid a sea of disorienting (and at times disconcerting) ambient accents. In this way, Rose conveys a quiet in the eye of the storm, an indoors meditation while the outside world is marked by muted chaos and the occasional ambulance siren (which joins the sonic tapestry towards the song’s conclusion); in many ways, “Reach For It” mirrors our own individual efforts to maintain some degree of composure throughout the strange times we’re living. Give it a listen below, and check out the rest of the tracks on the Quarantena Contigo mixtape, which features a slew of international artists and highlights the Musicians’ Emergency Relief Fund, who are providing micro-grants to working musicians seeking relief throughout COVID-19.

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Mare Berger's arresting chamber pop expands on "The Moon Is Full," new LP out 5.26

Much like its lunar namesake, “The Moon Is Full” waxes gradually from the quiet piano and somber vocal performance of singer-songwriter Mare Berger to full chamber-pop instrumentation, becoming luminescent while maintaining a central, melancholy energy. The track, centered around Berger’s vox and lyricism, details the “sudden loss of a loved one and the pain and healing that comes after,” its impassioned theme amplified by the track’s increasingly expansive instrumentation — “I pray that the seed will grow,” Berger sings, their voice becoming more confident, transitioning from raw pain to acceptance as cinematic background strings expand in a flush of raw emotion. Dramatically-rendered yet wholly human, it’s an arresting effort, one that promises more raw, orchestral offerings on Berger’s forthcoming LP The Moon is Always Full, out June 5th — until then, stream the single below. Photo by Ilusha Tsinazde

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