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This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Folk/Country





The Lonely Parade @ Junction Music Hall

Three piece, all girls, 90s alt-grunge mixed with some modern indie rock, that’s Lonely Parade. They just released a new EP titled “Splenda Thief.” Perhaps coffee sweetener is hard to come by in Peterborough (which is the girl’s hometown). The opening track, "Stephane Dion" has dirty basslines with trippy guitars that continue into the next track. “Mono” has more vocals in and there’s definitely some Kim Deal inspiration going on there. These tunes are noisy and fun! I don’t think the ladies in the Lonely Parade take themselves all that seriously and that’s a good thing! Music needs to be fun. So go have fun with The Lonely Parade @ The Junction Music Hall tonight. Check out their website for all their spring dates.-Kris “Big City” Gies

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Video: Skinny Bones' "Sleep In"

Skinny Bones’ released a video at the tail end of last year to accompany “Sleep In” off of their album Noise Floor. This folktronica outfit from Jamaica Plain consists of Jacob Rosati & Christopher Stoppiello, and their array of pedals, triggers, and sequencers. The new video is fits their sound really well, disjointed but organic, and always a freaky juxtaposition of natural elements and digital splices and dices. It’ll definitely make you look at your breakfast a little differently that’s for sure. Filmed by the band and edited by Peter Ferris, the video is a really cool collaboration that resulted in a cohesive pairing of video and music. You can buy their tunes here. - Paul Jordan Talbot






Redeye

Ominous guitar and bass start off the newest track from Redeye, an Austin act that straddles the line between indie pop with a folk bent and full on alt-country, but "Sleepwalk" quickly turns hopeful, if also a bit stark. It's a track about hope, in fact, and it wonders whether someone will be there for the singer in rough times they seem sure are coming. Redeye caps the lovely and heart-tweaking track with the poignant image of this hoped-for ally being "A fragile light I’ll picture always/A fire burning in the snow," and this attention to scenery and mood are central to the artist's sound.

Going from this track and a few other clips released, like this one that features track "Dryland," the upcoming third album "The Memory Layers" by Redeye (set to be released in April) looks like it will fit ideally into the Texas alt-country/folk canon. It hits that key requirement of also fitting so well into the sweeping, heat-affected spirit of Texas itself, and it's not hard to imagine the swelling fiddles and Redeye's twanging, yet not exactly country voice accompanying a long road trip across this state, even moreso for the vivid imagery conjured in each song. This album should be quite good, not only for Redeye himself's work, but also for the impressive list of artists who have also had a hand in it, including folks who have been members of or worked with groups in the past like the Polyphonic Spree, Midlake, Black Angels, Dana Falconberry, and Baptist Generals. That kind of quality roster attached to the unquestionable talent of Redeye will have a hard time creating anything but a good record, and if you'd like to be one of the first to get it in your ears, listen to "Sleepless" below and get to Redeye's show at The Mohawk with Bee Caves on April 18 for good, Texan music.

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Deli Premiere: "No Moon" by Doug Wartman

I was always told that the standard release date for music is supposed to be a Tuesday--who came up with that? And why? Anyway, I just saw an article in Rolling Stone today that said the “global standard” will now be Fridays, so this post won’t stand-out so much. In fact--I’d say this is cutting-edge. You heard it here first--The Deli New England is paving the way for Friday release coverage.
On that note,  “No Moon”, the title track (and first single) from Doug Wartman’s new album is--for lack of a more profound phrase--a beautiful piece of music. The guitar work sounds like Nick Drake if he played Explosions in the Sky--definitely a very soothing listen. I was most impressed by the “strings” that are played throughout the piece. I was surprised to learn that the cello-like sound is actually a bowed guitar, which I find very unique. This effect, coupled with well-timed dynamic shifts, adds intensity and a bit of tension to the music as well. Overall, I’d say Wartman is damn good at writing a complex piece of music and I’m excited to hear what the rest of his album sounds like.
The record comes out April 10 via Eye Design Records and will be celebrated at O’Brien’s in Allston, along with guests Ghosts of Sailors at Sea and Sand Reckoner.

For more information, check out Doug's Facebook page. Updates about the release show can be found here.
-Dan McMahon (@dmcmhn)
Album Art: Lynne Wartman

 

 





Jonesin' and the Hurt

I couldn’t have picked a better day to listen to this folk rock group, Jonesin' and the Hurt. Turning them up on the car stereo as the rain hits the window, we have no worries with their latest album Why Not?. The Entire album puts a bounce in your step with rustic roots. “Please Give Me” took my mood and transformed it with nice harmonies over a smooth groove. Get to see them touring Toronto the entire month; but, you’ll never know when you might run into them rockin' out on the corner. Check them out April 3rd @ the Bovine Sex Club.-Kris “Big City” Gies

 

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