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Issue #45 (Winter 2016) of The Deli NYC is online!

Lurvely Deli Readers,

We are proud to introduce you to our Winter 2016 issue of The Deli NYC, featuring on the cover Brooklyn songwriter, producer and multimedia artist Brittany Campbell, portrayed by NYC comix artist Lale Westwind. Inside the issue - besides dozens of talented emerging NYC bands and artists - you'll also find a feature about the undiscovered genius of Captain Baby and the ongoing saga of Manhattan DIY art space and venue ABC No Rio

READ IT ONLINE HERE! It will be out in print around January 15.





Catch One of the Last Great 2015 Austin Indie Releases- Darkbird's "I Remember Feeling My Fingers Slip"

So there you are, sitting around in your bathrobe, feeling like a lost dog, thumbing through NYE photos and wondering, “What the hell happened to 2015?” Well, that shit’s gone. Time to deal with it and accept that we’ve seen the last of that year...at least, that is, for the most part.

It just so happens that one fine thing that emerged at the tail end of last year was a fantastic EP release from the folks of the band Darkbird, one of our co-winners for December’s Artist of the Month Poll. Darkbird released their first EP early December 2015 entitled “I Remember Feeling My Fingers Slip,” and with the alluring voice of front woman Kelly Barnes, and the dark tantalizing sound from guitarist Brian Cole, a listen or two to this new moody record from one of Austin’s best emerging indie rock bands is definitely something to pencil in your 2016 schedule.

You can also catch their next show January 3rd (tomorrow, for those reading this at posting) at The Sidewinder- a free show as part of our city’s very badass “Free Week”. If you can’t catch that show, don’t worry; they have a very busy schedule for free week and are playing multiple shows, so go and check out their Facebook page to see which one of their next shows you can attend. While you’re at it, how about throw them a like so you can keep up and support another great local Austin band, and one that you (that being our dear readers) have voted into glory and fame (or something like that) on this very site.

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Premiere: Reaches "White Birch of the Baltic"

Reaches is the danceable but abstract indie pop of Justin Randel. He is preparing to release his latest album, I Am Alive and Well, on February 19th via We Be Friends Records. We are proud to be able to bring you the premiere of the album's first single, "White Birch of the Baltic".

You can catch Reaches on January 6th at Empty Bottle with Mega Bog, Deadbeat, and Richard Album & The Singles.

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The 10 Best Bay Area Albums of 2015

Well, another year has gone by. Local music critic, Lindsay Stickney has made my job so much easier by using her discerning and well honed ear to choose her favorite Bay Area albums of 2015. A lot of these bands are friends and I am certainly fans of all of these artists so I was personally pleased with Lindsay's choices (which I had NO say in whatsoever).

I hope you will enjoy her picks as well. Congrats to every single band who put out music in the Bay Area this year. The Deli SF loves you all and we completely acknowledge that this was an amazing year for well produced albums and truly talented artists.

I love you all.
Happy Holidays and Happy New Year. May 2016 be more musically fruitful and inspiring!

The Deli SF Editor,
Jordannah Elizabeth

1. The Stone Foxes, Twelve Spells

Bursting, bluesy-rock vibes that make you feel less like you’re listening to a record and more like you’re singing along to gospel in a church of rock n’ roll, Twelve Spells delivers an experience. With tracks like “Cold Like a Killer”, we’re reminded of how good it feels to effortlessly sway our hips to a single-note piano and how refreshing a vibrating guitar riff can be for the soul.

2. Monophonics, Sound of Sinning

Kings of dark, slinky soul, The Monophonics’ Sound of Sinning is heavily influenced by the psychedelic rock vibes of San Francisco, providing a funky 60’s-70’s sound that takes you through a colorful ride of epic horns and funky, noir beats. Packed with gut-wrenching vocals, hazy harmonies and hammond organs, it’s easy to get lost in this record and drift away to tracks like “Falling Apart”.

3. Lee Gallagher, Lee Gallagher and The Hallelujah

Lee Gallagher’s typical folky, country roots are uprooted and replaced by a much more soulful sound layered with emotional instrumentation and howling vocals. In Lee Gallagher and The Hallelujah, we’re carried back to a delightful 70’s trippy wave of movement that prove that a simplistic sound is sometimes the most powerful.

4. Lila Rose, We. Animals.

Bass. Power. Killer vocals. Power. We. Animals. is like your sweetest nightmare induced with passion, heartbreak, manic, and complexity. With whimsical beats, haunting vocals, and tribal drums, Lila Rose delivers an intense, sexually-charged album that lays its foundation on raw aggression. Tracks like “Tracking” will abruptly awaken the pissed off, sensual warrior in you.

5. Growwler, Even Tenor

Easing in with delicate acoustics and finishing with an aggressive bluesy piano sequence, the opening song “Long Hair, Short Wits” is a true ode to the San Francisco rock n’ roll scene and is a testament to the effectiveness of brilliant, simplistic instrumentation. Even Tenor is like a nostalgic storytelling that makes us miss the moments that we never lived for.

6. Ice Cream, Ice Cream

Sweet, sweet, classic garage rock. Ice Cream’s self-titled album forces us to remember the reasons we fell in love with rock in the first place. Dirty, honest guitar riffs, quick, aggressive drum patterns, weaved into gritty barely-there vocals, Ice Cream is the perfect combination of garage sound and punk attitude that will pour gasoline on that flickering fire inside.

7. Al Lover, Cave Ritual

The great Al Lover does it again. Cave Ritual is in fact exactly how it sounds: eerie, tribal, smoky, and sensual to the extreme. Textured beats layered with staccato samples give the album an imaginative sound that catapults us into a contemporary, psychedelic rock trance. Every track will take you to the sun, the moon, and then back again. Twice.

8. The Union Trade, A Place of Long Years

The Union Trade are masters of melancholy and it couldn’t be more gorgeously displayed than in their album A Place of Long Years. The subtle, aching cello atop the fluid, chilling piano make songs like “Svalbard” an escape from reality into the ethereal landscapes of your most tragic, stunning daydreams.

9. Guy Fox, Night Owl

Guy Fox are a musical enigma: elements of funk, old-school jazz, indie, pop, and rock can all be traced at different peaks in their most recent album Night Owl. Whether it be the use of timely instrumentation or charming lyricism, Guy Fox delivers an indecisive yet addicting sound. Tracks like “The City Line” create a steamy, devious tone portraying San Francisco as a playground designed for the mischievous.

10.Toro y Moi, What For?

Light, energetic beats coupled with smooth, romantic vocals make What For? the soundtrack to your hazy, yellow summer nights. Toro y Moi is known for his synthy-pop sounds, but the release of his fourth album slayed all former musical confinement. Tracks like “Lilly” walk the perfect, delicate line of modern synth and 60’s psychedelic rock, transporting you to a blurry wonderland that you’ll want to lay in for a while.





Ember Oceans @ Subt

Ember Oceans released their self-titled debut EP in 2015 and prior to that began playing an array of venue around the city. Through out this process, that hundreds of bands embark on annually, Ember Oceans began to question what it means to be a "Chicago" band. Is there a "scene" or better yet, is there a community or support network for young band's like themselves? Not finding what they were looking for the band decided to create a "local scene" and began connecting with other bands. According to Peter Simonaitis of Ember Oceans, they "searched to find what we believe are other young, hard working bands who embody the ambitious spirit of our scene".

You can help Ember Oceans begin to solidify the scene with like-minded bands Freaks for Geeks, The Mile, and As Is on January 9th at Subterranean at 8 PM.

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