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EXCLUSIVE VIDEO: Tetchy & Big Girl swing down South for sweet SXSW bound tour

photos by Reja Khan, Sydney Tate, Yan K, Tyler Bertram, and Nicole Miller (above)
tetchy live montage video shot and edited by Daniel Moore (below) 

If you’ve ever been to a party where a rakish young man sporting a tousled shag coif says “meet me in the bathroom” and proceeds to offer you a six pack of Pepsi and 6 bags of Pop Rocks and you say hey why not, we only live once and proceed to ingest all six bags and down all six sodas which after a brief period of intestinal distress sets off an chemical acidic reaction of an intensity not seen since Mount Vesuvius buried all those pervy pagan Pompeians in hot lava and rips your stomach wide open from the inside out just like happened to that cute, moon-faced tousle-headed kid from the old breakfast cereal TV advertisements your parents made you watch on youtube or so the legend goes then you’ve got some idea of what’s in store for you if you go see Big Girl and Tetchy on tour together just CLICK HERE for a full list of dates and venues...

…with the salient-if-somewhat-labored point here being that here ya got two gender-subversive bands who just like Pepsi & Pop Rocks blur the distinction between sugary sweet (melodically, vocally, temperamentally) and aggressively in-your-face-ily pungent which granted may not make make your stomach explode but it will make your heart grow by three sizes at least all while gleefully melting your face off with frenzied acid-rock-ifed shreadin’ and yellin’ in the midst of pop-songs-that-rock and rock-songs-that-pop and one can only imagine what a combustible combination it’ll be with the two of ‘em put together with fully activated wonder twin powers (it doesn't hurt they share a member too) and oh by the way the live video clip found up top should give you some idea of what it’ll be like seeing Tetchy live (filmed at the very wicked Our Wicked Lady) so best gird your loins and say your Hell Yeah Marys…

…in preparation for Tetchy and Big Girl coming to your local VFW Hall or Elk's Lodge as they make their way from their native stomping groups of Brooklyn (Elsewhere, The Broadway) on down to a scrappy little music fest called South By Southwest to play a full slate of gigs in and around Austin (keep it weird!) and then finally back again for a homecoming show at Brooklyn’s Alphaville but not before hitting six Southern fried cities on the way to SXSW (if you don’t live in any of those cities well here’s a good excuse to visit!) and oh by the way this is a good time to mention how the live montage of Tetchy seen above is an original Deli Mag Films Productio (you heard it here first!) brought to you by our very own newly minted videographer Daniel Moore (Dimo Films) who first made his debut on this site back in December with a cool montage of Moon Kissed playing the first of their Heaven-Purgatory-Hell-themed shows at Baby’s All Right…

…but hey if you prefer florid prose to professionally shot video (or if you enjoy both!) be sure to check out these two Deli pieces on Tetchy and on Big Girl posted to this site and either way you’ll no doubt wanna keep an eye out for exciting new releases coming up from both bands in the weeks and months to come (note: before the tour proper starts Tetchy play in Philly at Kung Fu Necktie on 2/15 and here in NYC with Crazy and the Brains at Saint Vitus on 2/16) and truly the South Will Rise Again when these soul-baring-big-hearted-hard-rockin' Brooklynite babes drop in on their backyard barbecues so better lock up your sons and daughters cuz the Tetchy-Big Girl caravan is comin’ to your town (alongside lots of other great acts on each bill) so catch ‘em while you can before they blow up big like that poor little kid’s stomach. (Jason Lee)


World Premiere: Tetchy take us to their "Backyard"

Tetchy have issued an invitation to their "Backyard." Check out their brand new song and accompanying music video below, a day before official release, in a Deli-exclusive premiere boo-ya! 

But be forewarned this ain’t no backyard summer barbecue, which is just as well because it’s f***ing December and the high temp in the city is supposed to be 41 degrees today. Also, keep in mind that backyards are intimate spaces—the innermost sanctum of a home, for those lucky enough to have a backyard—and this is a song about an intimate subject matter, namely, it's a song about coping with trauma, coping with the unexpected passing of a loved one more specifically, a trauma we're all likely to go through sooner or later. (unless you’re a sociopath…are you a sociopath?!)

All that said, “Backyard” isn't a depressing song. Far from it, the song works both as a twisty twitchy (dare I say “tetchy”?) post-pop-punk dirge, and as an ecstatic noise-rock purge, building from a halting faltering whisper to a raging cathartic scream. Lyrically the song opens with a declaration that “the dirt / in my backyard / looks so cozy / in the moonlight” with a half-sung-half-spoken full-of-pregnant-pauses rhythm that speaks to the confessional nature of the lyrics like a friend whispering secrets in your ear (so much for laid-back-folkie-pastoral-acoustic-guitar-based type confessional songs!) an opening that's half consoling and comforting (let's lay outside on a beautiful moonlit night!) half-staring-into-the-void-dissociative (does our narrator want to be buried in her own backyard? I hope not!) and from here I’ll leave the lyrical exegesis to you, dear reader, and let you form your own personal interpretations. 

In place of lyrical exegesis, I’ll point out here how powerfully and evocatively the band as a whole work through the various stages of grief, and resilience, in purely sonic terms, over the song's four-minute duration—which could be witnessed first hand at Tetchy's single-unveiling show last night where the audience was clearly brought to a state of ecstatic communion (and hardly less so when they screened the music video later that night). Tetchy vocalist/lyricist/guitarist Maggie Denning gradually works her way from a tense murmur to playful hiccups (like a 21st-century Buddy Holly!) to open-throated melodicism to a whistle note that sounds like Mariah Carey backed by Sonic Youth to guttural animal bellowing to a howling-at-the-moon state of catharsis and then back again. So if you like singers with insanely elastic voices you're in luck.

Meanwhile the other members of the band, which is comprised of drummer Jesse French, bassist Dylan LaPointe, and guitarist Stevie Jick, match Maggie's vocal pyrotechnics and tonal shifts with an array of varied timbres and other sonic effects—from the jittery scraping rhythms of the song’s opening section to a gradual gathering of strength leading up to the song's noisy galanizing climax with the sound warping and distorting as if the the song's been shot into space and is now crashing down into a new atmosphere which really captures what Maggie calls “the surrealism of grief—mirroring the stab to the head that comes as you meet your new version of reality over and over again [and where] you don’t know yourself anymore."

And I gotta say, even beyond "Backyard," the band has a knack for capturing this state of sometimes giddy, sometimes panicked sonic disorientation (sometimes both at the same time!) constantly turning their own songs inside out. For evidence, listen to their Hounds EP below...

“Backyard” was recorded by the band's drummer Jesse (see also King of Nowhere), mixed by Julian Fader and mastered Anni Casella, who collectively capture the sonic state of unravelling and made it not only disorienting but also thrilling and inspiring to behold. The same goes for music video's director John Burgundy Clouse (working alongside Ms. Denning) who braved the backyards and waterways of West Massachusetts with Tetchy to capture a series of lucid dreaming images that mirror the aural rollercoaster ride in visual form with stuttering edits and sudden changes of setting and costume—for Maggie in particular, going from comfy sweater to animal suit to blue riot grrrl dress to birthday suit—thus capturing the sense of wild mood swings and naked vulnerability depicted in the song itself. But aside from these thematics it's a barnburner and rocks just as f***king much as the song itself.

So check it out above available here for the first time anywhere (we won't let you forget it!) and allow yourself to unwind in Tetchy's "Backyard." (Jason Lee)

Cover photo by Bao Ngo


Tetchy make the bullshit tolerable on "Hounds," play Our Wicked Lady 3.5

It’s hard not to have fun when listening to Hounds, the debut EP by Brooklyn soft grunge four piece Tetchy. This isn’t to say that the subject matter present on the release’s five tracks are trite or nonserious — quite the opposite, in fact, given that its introduction details the pangs of human intimacy and the pervasive rise of right wing politics in the United States (“Emotional Labor”and “Fascist”). Rather, its enjoyable quality is derived from the band’s insight to contemporary issues, and their ability to make inane universal bullshit tolerable through exciting, guitar-driven grooves. Few bands can render feelings of inertia as triumphant (“The Fool”), or the celebratory defiance of laughing at the universe’s indifference towards pain (“The World”) in a way that’s as cathartic as it is listenable, imbued with an indie rock sound that’s accessibly rough-around-the-edges, an equal mix of grit and sweetness. Give it a listen below, and catchy Tetchy at Our Wicked Lady on March 5th for their EP release show.



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